Picasso nude decending stairs
When revolutionary French artist coiffure creative person (1887-1968) debuted his transgressive 1912 Cubo-Futurist fine arts naked degressive a Staircase, No. 2 at the 1913 world assemblage of new Art (now better-known as The Armory Show) in New York, its estimate preceded it. News had already crossed the ocean heralding the semi-abstract painting, with its dynamic Cubist forms cast in a rich, monochromatic palette of brown-ochre hues and hushed blue-green undertones, tho' it had been derided once it was submitted to the avant-garde Salon des Indépendants in 1912.
Philadelphia Museum of Art - Collections Object : Nude Descending a Staircase (No. 1)
Geography: successful in France, world organization Date:1911Medium: Oil on unreal on panel Dimensions: 37 3/4 x 23 3/4 inches (95.9 x 60.3 cm) Framed: 41 1/2 x 27 1/8 x 3 inches (105.4 x 68.9 x 7.6 cm)Copyright: © Artists Rights Society (ARS), New royalty / ADAGP, Paris / Estate of Marcel Duchamp keeper Department: European graphic art goal Location: Currently not on view assenting Number: 1950-134-58Credit Line: The Louise and music director Arensberg Collection, 1950 Label: Addressing what he late called “the problem of occurrence in painting,” Marcel Duchamp greek deity repeats elements of the nude’s body in her terminal steps down a precipitant spiral staircase. This evocation of advance time in a static composition resonates with the Futurist works of Giacomo Balla, Gino Severini, and others. However, by 1911 Duchamp was nearly involved with the circle of artists gather regularly in the french capital community of Puteaux.
Philadelphia Museum of Art - Collections Object : Nude Descending a Staircase (No. 2)
Geography: successful in France, Europe Date:1912Medium: Oil on fabric Dimensions: 57 7/8 x 35 1/8 inches (147 x 89.2 cm) Framed: 59 3/4 x 36 3/4 x 2 inches (151.8 x 93.3 x 5.1 cm)Copyright: © Artists Rights companionship (ARS), New York/Estate of wave creative person Curatorial Department: European Painting* Gallery 182, fashionable and Contemporary Art, freshman level (d’Harnoncourt Gallery)Accession Number: 1950-134-59Credit Line: The Louise and music director Arensberg Collection, 1950 Label: On March 18, 1912, hair style marcel duchamp received an unlooked-for coming together from his two brothers, Jacques francois villon and Raymond Duchamp-Villon, at his work in Neuilly-sur-Seine. They informed their younger brother that the support ngo of the Salon des Indépendants exhibition in Paris, which enclosed themselves, prince consort Gleizes, trousers Metzinger, and others, had rejected his Nude downward a Staircase, No. These Cubist painters had refused to representation the painting on the grounds that "A individual never descends the stairs--a individual reclines." Although the product was shown in the living-room de la area d'Or in oct 1912, Duchamp never forgave his brothers and quondam colleagues for censorship his work. * Works in the collection are moved off orientation for many different reasons.
Marcel Duchamp | Nude Descending a Staircase, No. 2 (Nu descendant un escalier n° 2) (1937) | Available for Sale | Artsy